Rebecca. 16 year-old cis female. Blogs about fandoms and occasionaly writes things.

Things you'll see here- Firefly, Doctor Who, Supernatural, Buffy, Good Omens, Bartimaeus and other assorted fandoms.
Also things about writing, because, theoretically, I am a novelist.
Welcome to my domain
Me: *heals self*
Enemy: *heals self*
Me: Whoa. Whoa.
Me: What do you think you're doing?
Me: I just took off half your health bar, and then you go and do that?
Me: Yeah, I KNOW I just healed myself.
Me: It's different when I do it.
reblogged 19 hours ago @ 21 Aug 2014 with 16,419 notes via/source


this fucking mentality that you can’t be best friends with your significant other, that romance ruins a friendship, that BOTH FRIENDSHIP AND ROMANCE CANNOT OCCUR SIMULTANEOUSLY kills me like

that’s such a horrible, horrible and unhealthy mentality to have

reblogged 1 day ago @ 21 Aug 2014 with 24,214 notes via/source
Anonymous said:
Do you know what would be an appropriate sort of sword for a smallish teenage girl? She hasn't used a sword before (she will be taught) and she doesn't have any sword specific strength built up, but she's grown up doing farm work and can shoot a fairly heavy bow. For that matter, do you know anything about bow weights? (sorry if these are stupid questions)


Well, here’s the thing about swords (and all weapons, really), wielding them isn’t about strength. It’s a fallacy perpetrated by games like D&D, where the combat stats are governed by strength and some historians confusing the gilded twenty pound parade swords for actual combat weapons. But don’t take just my word for it, here’s the awesome Scholagladitoria talking about misconceptions and stereotypes regarding both bow and the sword in fiction. (Also the difference between a war bow and the hunting bow, plus some talk about draw weight.)

The average longsword will weigh between four and six pounds. So, saying your character has to worry about sword weight is like you saying you can’t pick up a chair or your laptop. A backpack laden with binders and books can run up to around around 15 to 20 pounds, what you carry/carried to school every day on your back is heavier than a sword. It really doesn’t take much strength to lift them. (Yes, even a Claymore.)

Now, what gets most people in trouble when they have no experience and try to lift a blade is balance issues. Swords are awkward. A major part of the training is molding the body to compensate for the different balance. This is learning the positions, grips, footwork, stances, and striking patterns; developing muscular endurance and flexibility in the core, the upper, and lower body, along with strengthening the hands, wrists, and ankles.

Remember, the point of training is developing the muscles and building endurance. As you can see in this lovely chart, the way those muscles are developed through different kinds of activity will change the physical appearance of the body. As scholagladitoria says in his video above, your farm girl is used to wielding a hunting bow, not a war bow so it’s unlikely she’ll have large, strong muscles in the back and shoulders necessary to handle the 50 to 60 pounds of draw weight and wield it effectively (never mind aiming). You do need heavier arrows with larger metal tips to take on armored opponents and a stronger bow than a hunting bow to get the speed/momentum necessary to puncture and penetrate the armor.

Fighting with a sword isn’t about swinging it as hard as you can. Using a any sword requires precision and control, the ability to generate, balance, and control your momentum. The longsword in particular because is usually used with two hands is a good example of this. The second hand handles the rotation of the blade, creating more power, while the other hand guides it. What she’s going to need to build (and what her training master will require from her) is endurance. Beyond just learning how to wield the sword, she’ll also learn how to stand, how to breathe, exercises to develop balance, mental exercises to develop hand and eye coordination, and others in a similar vein. If she has the option, she’ll train on multiple different kinds of terrain. Not just fighting, but running, exercising, and practicing her footwork. Fighting on sand, in water, on mud are useful for teaching her all the different ways she’ll have to adjust herself and how different surfaces can tire you faster.

So, which sword should she use?

The one which is most common and makes the most sense for her social class, aka the one she has easiest access to. If you’re basing your setting somewhere similar to Medieval Europe or using characters who are European influenced, I suggest sticking with European weapons. You can’t really drop a katana into the Middle Ages and expect it to make sense (or be automatically awesome).

The arming sword, the sword and buckler were common self-defense weapons of the peasantry or the Non-Nobility but, really, pick a period in history and research both it and the weapon before making your decision. Not all swords make sense in all periods (though the longsword was a staple in Europe for hundreds of years). The kind of opponents your character is facing will do more to decide what she carries than personal preference. It’s important to assess what your options are, so you can choose what you like and what fits her best while also staying true and respecting the weapon’s history (both cultural and martial).

Links! (A jumping off point for your research needs.)

Scholagladitoria on bullshit perceptions of “manliness” and “unmanliness” of the longsword and the rapier (aka why you shouldn’t just go with the rapier/smallsword, because general perceptions says it’s “more feminine/girly”/lighter/easier), this video, where he discusses the evolution of the sword and different kinds of swords in European history, this video where he talks about the historical position of arming sword/sword and buckler versus the longsword. Actually, just go through his YouTube portfolio if you’re doing anything regarding European/Medieval weaponry and want to better understand it’s historical applications connotations and how some of it has been reflected in media. His breakdowns of different movie fight scenes is interesting and worth looking at for comparing the difference between Hollywood presentation and Historical accuracy.

ARMA instructor John Clements demos engages and disarms, here is the ARMA website with tons of videos talking about the historical ways of wielding Medieval and Renaissance weapons. It’s mostly the long sword, but there’s a lot of good stuff there.

This training montage with Anthony Hopkins and Antonio Banderes from the Mask of Zorro might help when figuring out training sequences. However, be warned, the movie switches between the foil and the sabre at random. (The sabre is generally regarded as the most visually entertaining of the three European fencing blades (foil, epee, sabre) because of the larger movements and circular patterns.)

Wikitenaur is a great place to go to look at different historical fighting manuals. However, I don’t recommend it as a starting entry point until you familiarize yourself with the time period. I really suggest starting with Scholagladitoria’s videos and working your way down. When you’re ready to start going in depth, here’s where you can go to read translations of instruction manuals written by the historical Masters.


answered 1 day ago @ 21 Aug 2014 with 310 notes via/source


A classic novel isn’t good because it’s a classic, rather it is a classic because it was important to the development of the art. And that certainly doesn’t mean that any given person, on any given day, will enjoy reading it. It means that, as a writer, I should be aware of what the classic novel changed in the historical progression of novel story telling. Some classics are pretty terrible, even unreadable, but they are still important.

reblogged 1 day ago @ 21 Aug 2014 with 534 notes via/source


I believe a lot of conflict in the Wild West could have been avoided completely if cowboy architects had just made their towns big enough for everyone.

reblogged 1 day ago @ 20 Aug 2014 with 83,586 notes via/source


-It is not cute

-It is hell

-Want to order pizza? Too fucking bad

-Want to go to a party? Be prepared to want to leave after 5 seconds

-Need to ask a salesperson for a different size? Guess you’re not getting it

-Hungry but it’s crowded in the restaurant? No food for you

-Social anxiety SUCKS

-It keeps you from doing things you want to do

-It makes you feel like shit

-Stop romanticizing it

-Social anxiety is absolute HELL

reblogged 2 days ago @ 20 Aug 2014 with 53,204 notes via/source






the term “aro-ace” is especially lovely because it also sounds like “arrow ace.” are you aromantic and asexual or are you an incredibly skilled and deadly archer. surprise, you’re both


Let’s not forget the original arrow ace: 



reblogged 2 days ago @ 20 Aug 2014 with 14,831 notes via/source


What if instead of having sirens ambulances just played move bitch get out the way by ludacris

reblogged 2 days ago @ 20 Aug 2014 with 555,833 notes via/source



my favorite thing in stories is when the antagonist doesn’t die, but instead they realize they were being kind of a stupid dick (maybe because the protagonist saved them or something) and then they have to kind of awkwardly tag along with the heroes in order to make up for their mistakes and gradually become slightly less evil


reblogged 2 days ago @ 20 Aug 2014 with 32,996 notes via/source


i like how at the beginning of ptolemy’s gate bart is like “ptolemy stop doing dangerous stuff if something REALLY BAD happens I’m NOT going to be able to protect you” and ptolemy’s like haha sure you will i trust u

and then at the end when something really bad DOES happen bart’s like “NO PTOLEMY IT’S OKAY I GOT THIS I AM GONNA PROTECT U -SO HARD- ITS OKAY I CAN DEFEND YOU” and ptolemys like no you cant asshole

character development help

reblogged 2 days ago @ 19 Aug 2014 with 69 notes via/source